Revisit Pop-Up Video: The VH1 Collection That Reinvented Music Movies & Pop Tradition

https://www.youtube.com/watch?v=playlist

Within the eight­ies, peo­ple lament­ed the atten­tion-span-short­en­ing “MTV-iza­tion” of visu­al cul­ture. By the mid-nineties, web­works had been strive­ing to fig­ure out get view­ers to take a seat by way of music movies in any respect. A solu­tion arrived within the type of Pop-Up Video, a professional­gram pitched by cre­ators Woody Thomp­son and Tad Low to VH1 when that much-less-cool MTV clone discovered itself strug­gling to remain automobile­ried by cable suppliers. It had an attraction­ing­ly low-bud­get con­cept: take exist­ing music movies, and spice them up with textual content bub­bles con­tain­ing info in regards to the artists, behind-the-scenes anec­dotes, and amus­ing (if semi-rel­e­vant) triv­ia.

“We bought lots of resis­tance from VH1. They owned Block­buster Video on the time, in order that they knew nobody lease­ed for­eign movies as a result of nobody need­ed to learn the TV.” So remembers Low in a Invoice­board inter­view in regards to the his­to­ry of the present, which orig­i­nal­ly ran from 1996 to 2002 (with a short revival in 2011 and 2012). Like many cul­tur­al phe­nom­e­na beloved of mil­len­ni­als, Pop-Up Video has obtained the oral-his­to­ry deal with­ment greater than as soon as: Uproxx additionally did one a cou­ple years ear­li­er. These arti­cles are enter­tain­ing in the identical manner as Pop-Up Video itself, open­ing up the doorways of the fac­to­ry and supply­ing a glimpse of how pop-cul­tur­al sausage will get made.

Launched nicely earlier than the age of Wikipedia, Pop-Up Video required inten­sive analysis. That meant not simply inter­web search­es, however telephone calls to direc­tors, professional­duc­tion design­ers, hair­styl­ists, automobile­pen­ters, cater­ers, and any­one else who might need labored on a par­tic­u­lar music video (if not the musi­cians, few of whom knew how their movies had been made, and even few­er of whom had been will­ing to dish grime on them­selves). These typically com­pli­cat­ed, rushed, and oth­er­sensible trou­bled professional­duc­tions have a tendency­ed to professional­duce mem­o­rable sto­ries, which par­tic­i­pants turned out to be hap­py to inform years lat­er — not that the online­work or the artists’ man­age­ment had been at all times hap­py with the outcomes.

Additionally like many cul­tur­al phe­nom­e­na beloved of mil­len­ni­als, the present was sat­u­rat­ed with the well-known­ly irrev­er­ent sen­si­bil­i­ty of Gen­er­a­tion X. Tasked with deliv­er­ing enjoyable info, its writ­ers did­n’t hes­i­tate to knock celebri­ties off their pedestals whereas they had been at it, and with a humorousness that got here to be rec­og­nized as decep­tive­ly intel­li­gent. (Head author Alan Cross has spo­ken of being impressed by Hunter S. Thomp­son, and Low by a favourite author who made “exten­sive use of foot­notes,” which brings anoth­er three-ini­tial identify to thoughts.) You possibly can watch over 100 “popped” music movies on this Youtube playlist, with extra on the Inter­web Archive. Alas, many have nev­er come avail­in a position on-line, however then, Pop-Up Video did make a advantage of ephemer­al­i­ty.

through Metafil­ter

Relat­ed con­tent:

The Com­plete His­to­ry of the Music Video: From the Eighteen Nineties to Immediately

The 50 Nice­est Music Movies of All Time, Ranked by AV Membership

Watch the First Two Hours of MTV’s Inau­gur­al Broad­forged (August 1, 1981)

Revis­it Episodes of Liq­uid Tele­vi­sion, MTV’s 90s Present­case of Enjoyable­ny, Irrev­er­ent & Weird Ani­ma­tion

How Rick Astley’s “Nev­er Gonna Give You Up” Went from 80s Pop Smash to Bas­tion of Inter­web Cul­ture: A Brief Doc­u­males­tary

Based mostly in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His initiatives embrace the Sub­stack newslet­ter Books on Cities and the e-book The State­much less Metropolis: a Stroll by way of Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social web­work for­mer­ly generally known as Twit­ter at @colinmarshall.